Marble. Bernini, who died in 1680 AD, was still a young man at the time of the portrait's composition and would go on to serve other popes after the death of Urban VIII in 1644 AD. Several sculpted busts of Pope Urban VIII were created by the Italian artist Gianlorenzo Bernini, with varying amounts of assistance from other artists in his workshop: . A promoter of the arts, Urban VIII was the foremost patron of the important Baroque sculptor and architect Gian Lorenzo Bernini, some of whose finest works he commissioned, including the loggias of St. Peter’s, Rome, and Urban’s tomb in the basilica. With the pontificate of Urban VIII (1623–44), Bernini entered a period of enormous productivity and artistic development. ‘Pope Urban VIII’ was created in 1632 by Gian Lorenzo Bernini in Baroque style. Assistance by.
It was the pope who persuaded Bernini to study architecture and that led to him improving the Vatican as well as many fountains in Rome. Patronage of Urban VIII. , "Galleria Borghese raccoglie fondi per comprare busto di Bernini - Arte", The Goat Amalthea with the Infant Jupiter and a Faun, Busts of Cardinals Agostino and Pietro Valier, Busts of Paolo Giordano and Isabella Orsini, https://en.wikipedia.org/w/index.php?title=Busts_of_Pope_Urban_VIII&oldid=973615397, Creative Commons Attribution-ShareAlike License, San Lorenzo in Fonte, 1626. Galleria Nazionale di Arte, Palazzo Barberini, Rome.
Under Pope Urban VIII, Bernini received the first of several commissions for Saint Peter’s—the enormous marble, bronze, and gilt baldacchino (1623–24) to stand over the papal altar. Urban VIII summoned Bernini soon after he assumed the papacy in 1623. Marble. Urban VIII saw Bernini as useful in his fight against the Reformation which he saw as a great threat. Despite this, throughout 29–30 July, the cardinals began an intense series of negotiations to test the numbers as to who could emerge from the conclave as pope, with Cardinal Ludovico Ludovisi dismissing Barberini's chances as long as Barberini remained a close ally of Cardinal Scipione Borghese, whose faction Barberini supported. Marble. Ludovisi had discussions w… (He did, after all, force Galileo to recant).
Several sculpted busts of Pope Urban VIII were created by the Italian artist Gianlorenzo Bernini, with varying amounts of assistance from other artists in his workshop: , In 2020, the Galleria Borghese began a fund raising campaign to purchase the last bust on this list from the Barberini family. The Pope recommended that Bernini expand his skills into painting and architecture, and in 1629 he was named Architect of St. Peter's. Collection Principe Enrico Barberini. Largely the work of an assistant. Marble. Early 1640s. Bernini's theatrical style, Urban thought, would be influential. This page was last edited on 18 August 2020, at 06:41. 1658.
Soon after, he began a monument to Urban VIII (1627–47), a work that defined the … ; Galleria Nazionale di Arte, Palazzo Barberini, Rome, 1637-8..
Assistance by Giuliano Finelli.
Palazzo Barberini, Rome, 1623-4.
Early 1640s. ; San Lorenzo in Fonte, 1626. The painting's subject, under whose patronage the Italian artist would become Rome's chief architect, may have believed that Bernini's immense talents were better suited to grander projects than a humble oil-on-canvas painting. Barberini was considered someone who could be elected as pope, though there were those such as Cardinal Ottavio Bandini who worked to prevent it. Private Collection (Barberini Family).
Find more prominent pieces of portrait at Wikiart.org – best visual art database.
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